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He leans against the window and looks out anxiously upon the darkening twilight. His mother watches him with curious eyes. Suddenly he electrifies the whole room by whistling in a light and airy fashion his favorite song from "Madame Favart." It is the "Artless Thing," and nothing less, and he whistles it deliberately and dreamily from start to finish. For Geoffrey the prelude has been played, and now at last he knows it. Up and down the little hall he paces, his hands behind his back, as his wont when deep in day-dreams, and asks himself many a question hitherto unthought of. Can he—shall he—go farther in this matter? Then this thought presses to the front beyond all others:—"Does she—will she—ever love me?" "You must understand," she says emphatically, "he did not shoot himself purposely. It was an accident,—a pure accident.".
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Conrad
"Well, then, sure you know I would," confesses she, shyly but honestly. Whereupon rapture ensues that lasts for a full minute. Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it. Next morning they caught their dogs and harnessed them to the travois and took their loads on their backs and set out. It was still winter, and they travelled slowly. Besides, they were weak from hunger and could go only a short distance in a day. The fourth night came, and they sat in their lodge, tired and hungry. No one spoke, for people who are hungry do not care to talk. Suddenly, outside, the dogs began to bark, and soon the door was pushed aside and a young man entered. Then Kŭt-o-yĭs´ entered the lodge, and when the man-eater saw him he called out, "Oki, oki!" (welcome, welcome!) and seemed glad to see him, for he was a fat young man. The man-eater took a knife and walked up to Kŭt-o-yĭs´ and cut his throat and put him into a great stone pot to cook. When the meat was cooked he pulled the kettle from the fire and ate the body, limb by limb, until it was all eaten..
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